Suite

I. Introduction

II. Interlude

III. Scherzo

IV. Vocalise

V. Conclusion

Suite for Viola and Piano is a five-movement work inspired by the dramatic contrasts and bold character of Sergei Prokofiev’s music. I’ve long been drawn to Prokofiev’s unique ability to juxtapose thorny, angular textures with moments of lyrical warmth—and in this suite, I sought to emulate that dynamic tension while exploring the expressive possibilities of the viola and piano as equal, and often competing, voices. The piece opens with a dramatic fanfare, where the viola and piano vie for prominence in a bold, declamatory exchange. The energy is raw and theatrical, setting the stage for what’s to come. A brief but haunting Interlude follows—a fragile, introspective movement that acts as both a pause and a pivot. From its eerie atmosphere springs the Scherzo, a giddy, almost manic burst of motion where rhythmic play and biting harmonies create a sense of joyful instability. In stark contrast, the fourth movement, Vocalise, is written for solo piano. Here, the viola steps aside entirely, allowing the piano to sing a solitary, poignant melody. This moment of introspection brings emotional depth and stillness to the suite. Finally, the Conclusion reignites the fire with relentless drive and rhythmic urgency, as both instruments charge forward in a thrilling and fiery close. Suite for Viola and Piano is at once a personal homage and a contemporary response—a piece that embraces contrast as a powerful expressive force, and that celebrates the complex emotional terrain between dissonance and lyricism.